Final Fantasy VII’s Drag

Trigger warning: hinted at rape.

When I first played Final Fantasy VII in my teens, I was already starting to realize I was generally genderqueer, particularly as regards fashion and presentation. Despite the proclamations that abhor the melodrama in said game, it often seems to be overlooked that it is riddled with comedy in a myriad of forms, and one of those is the classic trope of male dressed as and being confused for a woman. While the tendency for many in the stereotypical gaming culture would be to point out that jRPGs are filled with effete girly-men (which, as a concept, I never found offensive until I thought of how it was trying to disparage females), I would argue that what happens in Wall Market in Final Fantasy VII offers a somewhat broad take on gender presentation and, to some extent, sexuality, though both are still fairly limited in the grander scope of gender representation. Spoilers will follow.

Cloud Strife, a soldier, in his twenties, with spikey blonde hair. He stares in front of him with an angry look, a motorcycle behind him.

Cloud Strife, a soldier, in his twenties, with spikey blonde hair. He stares in front of him with an angry look, a motorcycle behind him.

First, the scene. Cloud, the primary protagonist for much of the game, is ex-SOLDIER, an elite special tasks force who work for the Shinra Corporation. He has teamed up with his childhood friend Tifa and the leader of the group AVALANCHE, Barret. After a mission is thwarted by Shinra, Cloud is separated from both Tifa and Barret and falls into a church, where he meets Aeris, a woman who sells flowers in the slums. Upon trying to return to Tifa’s bar in another slum (the game has a rather condemning tone against corporations and their effect on socioeconomic status–especially in larger cities), he instead sees her on the back of a carriage, being carted away to Don Corneo’s Mansion, located in Wall Market, because apparently Don Corneo has some information as regards Shinra. This is where the sidequest that involves putting Cloud in drag begins.

Upon trying to enter Don Corneo’s mansion, it becomes obvious that entry is barred to other males. Tifa is already in, Aeris could obviously enter, and a need for a solution. Upon wandering back to Wall Market and entering a dress shop, it occurs to Aeris that she might have a plan for entering the mansion. Namely, taking the somewhat aloof, cocky Cloud and putting him in a dress.

Cloud and Aeris standing in front of a henchman at Don Corneo's Mansion. The text states, "Look, the Don's not into men. So don't let me catch you around here again..."

Cloud and Aeris standing in front of a henchman at Don Corneo's Mansion. The text states, "Look, the Don's not into men. So don't let me catch you around here again..."

I was fascinated when I first came across this, and realizing I was being presented with a set of minigames and decisions as to what my Cloud in frock would choose for his dress material, wig, and fragrance, meant I quickly hopped online for a walkthrough, or at least an explanation of the underlying mechanics. The game allows some options here. Do you wish to be the prettiest woman in a competition that comes later, or just wish to barrel through the plot and have one of the other women be chosen? Naturally, I wanted Cloud to put on the best performance he could–I wanted to ‘win.’

In order to be chosen by Don Corneo, you have to get a certain combination of items. According to this FAQ, the break down of who gets chosen is as follows: Tifa, 251 combinations; Aeris, 24 combinations; Cloud, 4. The decision in itself was certainly amusing to me at the time, particularly in dressing the reserved Cloud in a silk dress, blonde wig, bikini briefs, diamond tiara, and smelling of sexy cologne to be chosen; before I further examine how that scene presents itself, I would like to look at procuring those items I listed above that allow a win, which itself has some interesting moments regarding sexuality.

First there is the dress. This minigame is fairly straight forward–you choose from a list of materials, which determines what dress you have. Of interest is that the dress maker has become somewhat bored with dresses in general, but finds getting Cloud in a dress a challenge.

This leads to the wig, which the dress maker mentions may be procured from the gym–making some remarks as to their behavior. When you go to the gym, you see a bunch of muscular men about, with a woman you speak to called Big Bro. Everyone seems to look up to Big Bro, and the game clearly tells you that Big Bro is a male who is cross-dressing, by him referencing himself as a man. You engage in a contest of rhythmically squatting, and must beat your competitor’s score, whereupon you receive the blonde wig.

Located in a gym, Cloud and Aeris receive the blonde wig from Big Bro, whose figure is that of a petite, red-haired woman. Text reads, "You're really something. Okay, I'm a man of my word, here you are."

Located in a gym, Cloud and Aeris receive the blonde wig from Big Bro, whose figure is that of a petite, red-haired woman. Text reads, "You're really something. Okay, I'm a man of my word, here you are."

At this point, you can just go on to Don Corneo’s mansion–you will not be chosen, but you can continue with the game. However, there are some more items to be gained in order to be selected by the Don.

First in the optional items to procure is the sexy cologne, received from eating at a diner, earning a pharmacy coupon for not insulting the food, and then exchanging it for a digestive. This digestive is given to a person in a bathroom for the cologne. Strange logic.

The diamond tiara is obtained by talking to the materia shop owner, who asks you to stay at the inn. Spend money at the vending machine, tell him about it, and the tiara is yours–spend the highest amount and receive the diamond tiara.

It is the last item that absolutely floored me when I played the game on my PC twelve years ago, however. Your undergarments. You head to the Honey Bee Inn, where you must gain entrance. Upon doing so, you can go to a few rooms. Head to the group room and instead of having a group of women enter, as the game seems to imply (or so I thought at the time), you will instead have a group of muscular men enter the room. They suggest you all get into the hot tub to wash off your sweat and dirt together–while you have the option of saying you want to leave, you can’t actually do so once the scene has begun.

Cloud in the Honey Bee. Behind him are eight muscular men in unitards and briefs. A woman in a bee costume stands right.

Cloud in the Honey Bee, a bed to his left, hot tub to his right. Behind him are eight muscular men. A woman in a bee costume stands right.

After Cloud has been stripped by the men, the lead man Mukki makes a few comments in praise of him, they get in the tub, the camera pretty much stays where it is (so you only see the heads of the people talking, bobbing about), and the conversation takes a really strange turn. After being asked how everything is, Cloud has a few options of how to respond: ‘….’ indicating a silence, and ‘It hurts.’ The last option seems to indicate sexual assault of some kind (or so my mind believes), but Cloud’s actual response when this option is selected is that it’s too stuffy in the tub.

Here is where Mukki tells Cloud to calm down and count to ten. As Cloud is counting, a few more questions are asked, such as his age (21) and if he wants to join Mukki’s “Young Bubby’s” group. The options here are silence (again) and “Not interested.” However, even when selecting silence as an option, Cloud’s response is, “Not to be rude or anything, but could you go do someone else?” After this scene, Cloud counts down again, leaves the tub, and Mukki responds by asking him to stick around a bit longer because “Daddy is lonely.”

After all this, Cloud is given the Bikini Briefs as a memento of the time spent with Mukki, and the scene is over.

That entire scene baffled me when I was younger, and when I recently replayed it on my PSP, I was cringing. The language there clearly indicates male-on-male sexual interaction, and it is difficult to parse out whether or not Cloud is a willing participant. On the one hand, you are controlling him, so his will should be yours? On the other hand, this is clearly a narrative where the characters have their own motives, so it is hard to reconcile the player’s will on to his own.

Finally, after gathering all the items, you get into your garb and head to the mansion. First you meet up with Tifa who explains that Don Corneo is a ‘lech’ and brings three women before him so he can select which one he’ll have for the night. Tifa, Aeris, and Ms. Cloud are to be it. After some hemming and hawing, and if you gathered the above items, Don Corneo finally selects Cloud (whom he calls ‘healthy-looking’, against the other choices, on whose beauty he’ll remark), who has been constantly turning his cheek to avoid Don Corneo getting a direct look at Cloud. Off to his room they go, after telling his henchmen they can have ‘the other ones.’

In the following scene you can play along or not, telling Don Corneo how you like him. The scene eventually leads to where Cloud is about to give Don Corneo a kiss (after some dialog including him calling himself daddy, and implying how horny Cloud makes him) before Tifa and Aeris barge in, having taken care of Don Corneo’s henchmen. After asking Cloud if he really was going to kiss Don Corneo (he shakes his head no), Don Corneo’s response is “A man?! What’s going on?”

Don Corneo is on all fours on his bed, a fat man with a cigar in his mouth and blonde hair. Cloud, in drag, stands to the right, in a pose I would call demure. Text is Don Corneo saying, "You sure do know how to make a guy feel good!"

Don Corneo is on all fours on his bed, a fat man with a cigar in his mouth and blonde hair. Cloud, in drag, stands to the right, in a pose I would call demure. Text is Don Corneo saying, "You sure do know how to make a guy feel good!"

This leads to an interrogation by Tifa, whereby each time he stalls, one of the party members illustrates what they’ll do to his testes (not pleasant options, mind you). The plot continues from here as Don Corneo pulls a switch and they fall into the sewers.

Alternately, if Cloud is not selected, he and the other female companion will end up with the guards of the mansion, who indicate that they’ll treat the ladies ‘real nice.’  You can run around the room a bit with henchmen who follow after you with arms upraised like zombies. Eventually you reveal you are a man and a fight ensues, whereby they promise you won’t get away with this.

Heading to Don Corneo’s room will give a scene where Tifa, let’s say, is on the bed, and Don Corneo assures her he’s single while thrusting his hips back and forth.

For me, this entire section of the game just has tons of gender stereotypes to unpack. While it is filled with humor, it doesn’t go out of its way to make fun of the effeminate or clearly homosexual body builders (I don’t necessarily see the two groups, in the gym and then in the hot tub, as the same, and the instances in the gym and Honey Bee are separate). These people are clearly comfortable with who they are, and the only uncomfortable person is Cloud.

Unfortunately, his discomfort is confusing in light of the fact that one can choose positive responses in both the group room at the Honey Bee and with Don Corneo. It raises the question of purposely playing to put a character we control in a situation in which they will not be comfortable. The entire humor of this section of the game hinges on us delighting in the supposed extreme lengths Cloud goes to humiliate himself–though not necessarily to decrease his masculinity. Obtaining the wig, for instance, comes through a competition of brawn.

Looking at the treatment of women, Don Corneo and his goons are painted in a lecherous brush. They are clearly the villains, whose primary directive appears to objectify women. Thankfully it is not Cloud alone who can take care of himself, and the scenes allow both Tifa and Aeris to show they are capable of handling their own situations.

It’s also worth noting that the dress maker and his son both make comments that they may have a new business in making dresses for men, which, given their neighborhood does not seem out of the question. Big Bro’s presentation shows that even while he looks like a woman, it is only his gender presentation that has changed, not his mannerisms. Even Tifa and Aeris find amusement at Cloud in drag, but primarily at how he isn’t necessarily a bad-looking woman.

While it is certainly not the most positive take on gender, it seems much more progressive than what I would expect from such a title.

About Denis Farr

Denis Farr is a white, androgynously gendered, TAB, German-born and U.S.-schooled, male-sexed queer person (with a penchant for other male-sexed queer persons) who started writing about games at Vorpal Bunny Ranch (in other words, he's loquacious). He has continued with this endeavor, expanding his writing to both GayGamer.net and here at The Border House. A strong proponent of expanding diversity in games, his focus is often on how characters are depicted in games, and exploring the language we use to explicate games themselves.
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12 Responses to Final Fantasy VII’s Drag

  1. Bel says:

    http://firefly99.livejournal.com/495186.html#cutid1
    http://firefly99.livejournal.com/494592.html#cutid1

    Check these related posts, out, too. An excerpt from the second:

    On the &$#% room:

    “It’s weird, not so much because of the subject matter (weird for a JRPG, but not for FF7), but because of the sudden emotional ping-pong. This is the first time we hear the dischordant ‘Cloud’s mad’ music cue – “Who Are You”, my OST says it is – in the whole game; what the hallucination tells the real Cloud is a fairly poignant statement. “You shouldn’t be in a place like this.” “You think problems will go away just thinking about them?” Why are you doing an optional sidequest for sexual titillation when your friend is in danger? Getting attacked by your character’s ‘conscience’ for doing a sidequest in a genre which is all about pausing while the world is destroyed to go and race birds is pretty subversive, I think.”

    • Denis Farr says:

      Ooo, thank you. I was somewhat worried about posting this, largely because I expected to go back to this scene and find it critically disappointing. That it’s not, and that others have also looked at it as… odd and yet fitting, makes me feel more at ease.

      • Bel says:

        For some reason, going back to VII never seems to disappoint me, haha.

        I’ve always thought this is one scene they’d cut or water down for a remake. There’s no way Nomura would let Advent Children Cloud crossdress, so I do think this scene says something, if not always the right thing.

        BTW I was just rereading one of the articles on here I liked and I noticed you wrote it, so: I really liked what you wrote on Ezio in “Playing Boy.” Have you perhaps had a chance to pick up AC: Brotherhood? The game opens with more Ezio-and-the-ladies, but this time he gets stripped completely naked while the woman he’s with only partially undresses.

        • Denis Farr says:

          If they did remake it and keep the scenes, I imagine a lot more would change. The lovely thing about those blocky little people is that there’s a fair amount they left to the imagination, just drawing a broad character model.

          Thank you. I have AC: Brotherhood, but just moved to Europe and have yet to get the appropriate equipment to hook up my PS3 again. As soon as I do I look forward to playing it and examining Ezio further.

        • Ikkin says:

          I’ve always thought this is one scene they’d cut or water down for a remake. There’s no way Nomura would let Advent Children Cloud crossdress, so I do think this scene says something, if not always the right thing.

          I’m not so sure that Advent Children-styled Cloud crossdressing would really be out of the question, because if there’s one company that is willing to blatantly pander to the female part of their audience, it’s Square-Enix. (A better way to make fangirls feel included than Crisis Core:FFVII’s fanclubs, I have not seen)

          There’s no way the tone would stay the same though — they only managed to get away with what they did because they left what Mukki and the men in the hot tub did it up to the audience’s imagination.

          • Ikkin says:

            …rereading this comment, I’m not sure I said what I actually wanted to say.

            The current Square-Enix is a lot different from the one that made Final Fantasy VII, but they’re still aware of the fandom that grew up around that game, and they don’t seem particularly inclined to avoid the humorous and bizarre aspects of the original game if that’s what the fans want (since there’s a lot of it in Crisis Core). And I think the Honey Bee Inn and crossdressing Cloud segments are far too ingrained into that fandom for them to skip it without inviting major backlash.

            It would definitely be interesting to see how they’d handle it in light of the current FFVII fanbase, though, because the female portion of fandom seems to hold enough sway that Cloud’s issues with sexuality could take on a rather different meaning and the degree of ridiculousness of Cloud’s attire could actually be toned down. And then there’s the obvious issue of the sketchy scenes that weren’t defined enough on the PSX to risk the rating, which could not be nearly as ambiguous on a HD system and hence might not be able to exist at all.

  2. Doug S. says:

    It’s a pity that FF7′s translation rendered the game’s plot incoherent. :(

    • Bel says:

      It wasn’t incoherent, just very complicated. I can explain it to you if you want, haha.

    • Alethea says:

      Well, it’s not entirely incoherent. It’s just poorly worded in many places. You can still understand what’s going on, but a better translation would make everything flow smoothly.

    • EmilyEmilyEmily says:

      I never found the translation particularly hard to follow; baring some points where the wrong word was clearly chosen.

      …though I also played the PC port of the game, which they may have cleaned up the translation for. If unfortunately introducing a lot more bugs in the process.

  3. Dee says:

    it seems much more progressive than what I would expect from such a title.

    I have to admit I was with you right until this line, which seems weirdly anglocentric for this blog.

    You have to remember that the Japanese have some radically different traditional/historic attitudes to homosexuality and masculine desirability than we do in the West (and ones that are quite distinct from the modern LGBTQ identity). The scenes in Wall Market that might read as “progressive” to us are arguably in-line with traditional Japanese attitudes towards cross-dressing, pederasty and masculine desirability, particularly in the notion of an attractive/feminized young man being perused by older male suitors.

    So… yeah.

  4. Pingback: While !Finished » FFVII Replay: “Just the same as him…”